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[24/96] Egg - Egg - 1970, Vinyl Rip
Type:
Audio > FLAC
Files:
19
Size:
812.57 MiB (852037233 Bytes)
Tag(s):
Egg Vinyl Rip 24/96 PBTHAL
Uploaded:
2012-09-21 22:26:37 GMT
By:
npto VIP
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Info Hash:
DDEE5F394DF6974062578564FE425E4FD2B4FCDF




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Egg - Egg - 1970

Decca Record, Deram, SDN 14, ZAL 9409P, Original UK Pressing

LP, Vinyl Rip, 24/96, FLAC (tracks+.cue)

Rip by PBTHAL VINYL RIPS

Side one

 01 - "Bulb" (Peter Gallen) – 0:09
 02 - "While Growing My Hair" (Clive Brooks, Mont Campbell, Dave Stewart) – 3:53
 03 - "I Will Be Absorbed" (Brooks, Campbell, Stewart) – 5:10
 04 - "Fugue In D Minor" (Bach) – 2:46
 05 - "They Laughed When I Sat Down At The Piano…" (Brooks, Campbell, Stewart) – 1:17
 06 - "The Song Of McGillicudie The Pusillanimous (or don't worry James, your socks are hanging in the coal cellar with Thomas)" (Brooks, Campbell, Stewart) – 5:07
 07 - "Boilk" (Brooks, Campbell, Stewart) – 1:00

 Side two

"Symphony No. 2" (Brooks, Campbell, Stewart) – 22:26
 08 - Movement 1
 09 - Movement 2
 10 - Blane
 11 - Movement 4 

 Companies etc

 Recorded At – Lansdowne Studios
 Recorded At – Trident Studios

Credits

 Bass, Vocals – Mont Campbell
 Drums – Clive Brooks
 Organ, Piano, Audio Generator [Tone Generator] – Dave Stewart

 Arranged By – Egg (2) (tracks: A4)
 Design [Construction] – Peter Chapman (4)
 Engineer – Peter Gallen, Roy Thomas Baker (tracks: A2)
 Engineer [Assistant] – Les Cunningham
 Photography By [Back Cover] – Rob Bennet
 Photography By [Front Cover] – David Wedgbury
 Producer – Egg (2)
 Written-By – Brooks* (tracks: A2, A3, A5 to B1d), Stewart* (tracks: A2, A3, A5 to B1d), Bach* (tracks: A4),
 Campbell* (tracks: A2, A3, A5 to B1d), Gallen* (tracks: A1)

Notes

 Tracks A1, A3 to B1d recorded at Landsdowne Studios.
 Track A2 recorded at Trident Studios.

 Released on a red/silver Deram Nova label.
 Initial copies were accompanied with a large poster.
 Also released in mono (DN 14).
 On the cover a duration of 3:14 is mentioned for an unnamed track between ''Blane'' and Movement 4''. This does not appear on the label.

Barcode and Other Identifiers

 Matrix / Runout (Label A-side): ZAL 9409P
 Matrix / Runout (Label B-side): ZAL 9410P

Vinyl Ripping Process/Equipment

VPI 16.5 RCM
 Turntable: VPI Scoutmaster
 Tonearm: Trans-Fi Termninator
 Cartridge: Audio-Technica AT33PTG/II
 Phone Stage: Cinemag SUT feeding a Marantz 2220B
 Digital Interface: E-MU 1212
 Recording Software: Adobe Audition 3.01
 Recording Bitrate/Sample Rate: 192/24

Post Processing
 Run thru ClickRepair at level 10 with
 Pitch Protection | off
 Reverse | on
 Simple
 Resample to 96khz in Izotope Rx2 using the default preset
 Manually listen to album in Adobe Audition cleaning any clicks/anomalies
 Flac with Xrecode II

What Exactly Is An "Ultimate Master"

 It is more or less a catchphrase originally used to designate something was a hi-res rip. But since there seems to be a lot "similarly" <cough> named rips now I guess I should explain.
 I try to present the "ultimate mastering" of a particular LP, the "mastering" is not my equipment or process but the source material, it has always been about finding the best source. Now my opinion of the best source is subject to change as I experience more variations. Whether or not folks think my rip is "definitive" is irrelevant to me, I just try to find the best pressing and don't mind doing the extra clean up that comes with not just ripping new reissues or japanese issues. I understand the appeal of these pressings but I don't subscribe to the notion that
 they represent the best source 95% of the time.

File list not available.